Edward Saatchi first saw “The Magnificent Ambersons,” Orson Welles’s mangled masterpiece from 1942, when he was twelve years ...
In his imaginative take on the life of Orson Welles, Mark Cousins looks at Welles's personal sketchbooks - he was an inveterate scribbler, though he rarely went as far as to produce what we might call ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results